Gothenburg Post's Johan Lindqvist gives a four and thinks it's lovely that Håkan Hellström chooses to be a bit silly. He describes it as a pop schlager record of the old kind and mentions Björn Skifs as a reference.
"It's early Swedish 70s and the music that was played while the kids got to sit without seatbelts in the back of the Volvo station wagon while mom and dad sat up front and smoked. It's music that tastes like lukewarm rosehip soup and Skogaholm bread with honey on it."
In Svenska Dagbladet, Andres Lokko praises the album for Hellström creating a universe "where the music, lyrics, and time move at their own pace".
"This is bolder and more experimental than what most will even understand, I imagine", writes Lokko who gives five out of six in grade.
Markus Larsson hands out a three and is cautiously positive, but describes the record as the most flaky thing Håkan Hellström has recorded. He thinks the best thing about the record is that Hellström "sounds like a fool again", but in terms of lyrics, it's weak.
"It mostly becomes a carefree tjobbidoo", thinks Larsson.
SVT Culture News' Tali da Silva likes that Håkan Hellström seems to have dug deep into the record collections of his childhood.
"And the deeper he digs, the better it gets", thinks da Silva who hands out a four.
